Review: GIUSTINO, Royal Ballet And Opera
Not every opera can boast a sea monster, a disembodied voice coming from a mountain, and two brothers rather improbably separated at birth. That’s the kind of elaborate, visually ambitious plotting that made Handel’s Giustino an innovative work of stagecraft for its time, but Joe Hill-Gibbins’ new production (the first UK professional production since 1737) makes a valiant attempt to strip it back...